The stories we tell become the worlds we live in.Because stories aren’t just entertainment — they’re energetic blueprints. They shape how we see ourselves, each other, and what’s possible. They condition culture, encode belief systems, and architect economies. If we want a new world, we must create new narratives.
Through her media company Neue Earth, Lana Jackson is creating a slate of work that reclaims storytelling as sacred architecture — a living blueprint for how we shape culture, commerce, and consciousness. Her work seeks to awaken, not just entertain.
Across media, wellness, fashion, and commerce, she invites us to see storytelling as a of future-writing technology, useful for healing, awakening, and collective evolution.
Selected Works
fashion filesCinematic documentary series exploring fashion as culture, identity, and community—following visionary designers at pivotal moments where creativity moves beyond the studio and into film, music, sports, and global influence.
Sound of usFeature adaptation based on a 1969 cinematic classic—currently in the early phases of rights acquisition, the film explores how the path of radical self-honesty and conscious partnership can unlock both personal and creative transformation, asking: What if love isn’t a distraction from purpose, but the path to it.
soho house x lindsay adamsArt Direction, Photography, and Interview by Lana Jackson, commissioned by Soho House for their profile on Visual Artist Lindsay Adams.
soho house x MARRISA WILSONInterview by Lana Jackson, commissioned by Soho House for their profile on Fashion Designer Marrisa Wilson.
A Thousand Kisses, Smithsonian InstitutionAn exhibition of personal love letters exchanged by American artists from the mid-19th to late 20th century, drawn from the Archives of American Art's collections.
Research assistant under curator Joan Lord. Conducted archival research through the Archives of American Art's correspondence collections to source letters for the exhibition, and supported gallery installation, lighting, and object care.
Xavier Gonzalez, Ethel Edwards
SUMMER SCHOOL, Smithsonian InstitutionAn exhibition exploring the history of American summer art schools and colonies, from Provincetown to Skowhegan, through original letters, photographs, and sketchbooks.
Research assistant under curator Joan Lord. Conducted oral history interviews with artists' descendants and family members to support exhibition documentation, and wrote object placard copy alongside archival research and installation support.
Cape Cod School of Art, En Plein Air
